with whose alumni she has often collaborated. A few hours later it was Giorgio Armani's turn.
The two designers have often been pitched as each other's arch nemesis , mainly because their respective aesthetics - his is less is more, hers is more is more - represent the polar opposites of Italian taste. But on one thing the agree: London is the source of all creativity, or so said Mr Armani when we chatted before tonight's show.
It so happens there were little chiffon dresses in this Emporio collection, with dainty frills rippling across the bodices and the occasional crab print scuttling down their fronts. There were jackets too, but small shouldered – iridescent bombers, shrunken, single breasted, lattice-work styles, and a particularly chic, slouchily deconstructed red and white Prince of Wales check blazer.
Trousers had a major stride-on part – as they do in many other collections this season. Sitting on the navel, or just below, these were a desirable marriage of feminine contouring and masculine swagger. When he wants, he makes some of the most elegant trousers around, and these – gimmick free, with roomy pockets – will be on many shopping lists next season.
This was a strong Emporio Collection, fizzing with playful touches, such as mesh-trainer-bootees and underwater-inspired prints and weaves, while offering plenty of clothes to wear to work or dinner. Increasingly however, there’s little difference between what we wear to work or play.



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