There are many prints, but simple silhouettes – it’s a very bright collection,” added Galina Yudashkin, who has brought a more pared-down and streamlined look to her father’s aesthetic.
The show opened with white and then beige tones for casual sportswear, with floppy straw hats as a hint of an earlier century. The yellow colour burst through like a ray of sunshine in a short skirt and sporty top or wrap coat. Flat beach shoes in red and yellow hinted at the Russian art story, too.
Full-blown colour appeared in the Malevich-esque blocks and lines that were at their most dramatic as a long dress with horizontal strips of red, black, green, blue, and yellow, all resembling blurry brush strokes crossing a slim white dress.
Maybe a change of pace, or perhaps the influence of his daughter, has brought more dynamism and a different attitude to the Yudashkin collections, with the models striding out purposefully in their bright outfits.
But like a good artist, the Russian design duo seemed to understand just how much colourful geometry would work in a modern woman’s wardrobe. The fact that the show opened and ended with pure white, based this artistic collection in reality.
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