“We really wanted lightness in the materials and the volumes,” explains Iro co founder Laurent Bitton, who defined the season’s mood as “ultra-airy ’70s–meets–’60s rock: grunge, mais chic.”
Concretely, that translated into ample, floaty tops, often in semitransparent fabrics and prints shot through with silver lamé, and high paper-bag waists cinched with a wide belt and short shorts in keeping with the brand’s leggy, rock-chick aesthetic. If there was a switch up, it was in the color story, with a fresh explosion of pinks, oranges, and prints giving the collection a more upbeat, romantic aura than in past seasons.
Of course, Iro still ticks all the boxes for its streetwear-loving base: Basics still come in what Bitton calls “non-colors,” such as pale pink or sky blue tinged with green. Key statements include midi-length dresses with lace inserts, fringe trim, and asymmetrical hems, paired with summer boots in ultrathin leathers and perhaps a jean jacket with sequined sleeves, or a silver, fully sequined baseball jacket. Or else one of the brand’s staples: a black biker jacket, this season with white stripes.
At retail, Iro keeps on rolling: Four points of sale opened in China last summer, including in Beijing’s SKP mall. The next six weeks will see new stores in Lisbon, Aix-en-Provence, and Geneva. Next up: Milan. “There’s a whole new movement in affordable luxury ready-to-wear,” notes Bitton. “Our mission is to be the first among them.” To that end, the brand is polishing up its new e-commerce website, launching imminently.













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