Her inimitable style, a blend of British aristo-eccentricity and French sophistication, served as a template for a collection where a touch of balanced quirk was added to wearable pieces.
Masculine and feminine references were called for a proposition of softly tailored outerwear; case in point was a deep-red double-breasted car coat, where a matching red mink detachable stole added a sensual allure to an otherwise practical shape. Updated proportions gave a masculine pantsuit a modern vibe. Its blazer was cut elongated and sleek, and the pants were cropped and flared. Styled with mock-croc sandals with a chunky high heel, it looked cool. Another interesting example was a short boxy jacket worn over high-waisted extra-large trousers cut in a gray pin-striped wool. Elsewhere, a pajama suit in printed silk had the required luxury feel and was accented with a hint of eccentricity.
Fabrics spanned from felted wools, cashmeres, and brushed mohairs to more elaborate textures, as in a romantic macramé lace layered over a masculine striped poplin. It graced a lean high-waisted pencil skirt worn with a matching masculine shirt.
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