The 1909 (initial) version acted as a guide to 1910 (second) version. The 1910 version of the Dance was pale and used less color and details and Matisse liked the painting that he named it "the overpowering climax of luminosity,” and featured it in Matisse's La Danse with Nasturtiums of 1912. Nelson Rockefeller later donated the painting to New York’s Museum of Modern Art. The 1910 version of Dance is large and included with a musical companion piece for Matisse’s friend Sergei Shchukin, a Russian art collector. This version, decorated and full of red color, hangs on Shchukin's staircase in Moscow until the 1917 October Revolution. The second dance painting depicts five people dancing nude in front of a green landscape, and blue sky and one of the dancers appear to be pregnant.
The 1909 (initial) version acted as a guide to 1910 (second) version. The 1910 version of the Dance was pale and used less color and details and Matisse liked the painting that he named it "the overpowering climax of luminosity,” and featured it in Matisse's La Danse with Nasturtiums of 1912. Nelson Rockefeller later donated the painting to New York’s Museum of Modern Art. The 1910 version of Dance is large and included with a musical companion piece for Matisse’s friend Sergei Shchukin, a Russian art collector. This version, decorated and full of red color, hangs on Shchukin's staircase in Moscow until the 1917 October Revolution. The second dance painting depicts five people dancing nude in front of a green landscape, and blue sky and one of the dancers appear to be pregnant.
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