The clothes stayed true to the Ivan Grundahl DNA with sculptural tailoring and lots of heavy layers.
But where the original pieces once designed by Grundahl himself were a bit softer and more feminine, Krejberg has injected a modern, avant-garde edge into the brand. This was especially true in looks like the black jacket with white seams worn with a trouser embellished with belt ties hanging at the sides and dragging along the ground. There was also a black crushed-velvet gown that was beautifully ruched at the hip and had a neckline that extended up past the chin to hide the face. Though the collection felt somber, it seems like the 30-year-old brand has a bright future ahead.













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