Lee has been in a reflective mood lately, looking inwards as the chaotic news cycle rages on around her. It’s a sentiment that has been picked up by others on the fashion landscape, with many designers pondering the importance of self-care in their work.
Lee looked to the holistic practices of the east to infuse her collection with a restorative energy, employing technique draping and tassel trimmings that were reminiscent of Ayurvedic robes. That reference was most effective in the outerwear, amping up the drama of a traditional cape coat with subtle sophistication. A monastic tone came through in the eveningwear too, including a standout dress with an abbreviated pilgrim collar. With its long sleeves and floor-length dimensions, it would appeal to young women shopping for modest options with a fashion-forward slant. The designer riffed on the notion of the original woman, and the dark floral jacquards were a nod to the Garden of Eden. Indeed, it felt as if some of Lee’s quirky sensibilities were lost in this traditionalist tableau. Still, the origami pleats that trimmed the edges of party dresses and cropped going out tops gave a twist of difference to the usual cocktail-hour fare. Lee should explore those counterintuitive impulses further.
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